My friend Jim is in town. During one of our many lengthy discussions, we got around to talking about work. How we both had humble beginnings in the mailroom -- Jim actually hired me in 1983. And where that work took us on a life journey of ups and downs. And long demoralizing lateral slides that coulkd easily be attributed the ageism.
Writers, it seems, get more downs than ups. At this point my skin, and Jim's skin, is thicker than that found on a polar bear.
In the back and forth that brought about many laughs as well as conjecture of what would've happened had we not pursued the dream of writing for a living. I pictured myself as a doctor or an engineer, you know had I not been so lazy and actually applied myself as my father often scolded.
Jim nodded off as I droned on about lives and vocations, that may or may not have happened in the multiverse.
As he was fading in and out, I relayed to him my recent meeting with opportunity. I had been offered a freelance gig. On a highly visible project. One that would have put significant bouyancy in my bank account. I wisely turned down that gig.
For reasons that will shortly become abundantly clear.
I began thinking about what would it take for me to actually accept or consider accepting any new offers that might come over the transom for a 68 year old, sometimes ornery, freelance copywriter.
At the risk of appearing like some industry Diva or simply an a-hole, here then are my pre-requisites. I could have said this was my "rider" but have always hated the use of the term "rock star' to anybody who works in advertising.
1. The money has to be right. And by right I mean the day rate has to be in the 4 figures. Like the plumber who comes to your house, spots a leaky gasket of a worn out washer on an S-pipe, fixes what needs to be fixed, and hands you a bill for $300, there is a price to be paid for my experience.
I spent 40 some odd years in the ad business. Or is it called the content business? I like to think I learned a little. It's all kind of fuzzy, woo-woo stuff that can't be pinned down, or laid out on an Xcel sheet, but it's in here (pointing to head) and if you want some you gotta pay for it. Also, I'm not buying a car here. There won't be any haggling.
2. The hours have to be right. As noted above, I charge a day rate. Not a day and night rate. And certainly not a day that includes two sunrises day. When quitting time comes, I quit. I have a house that needs to be tidied up. I have salmon to marinate. Salads to build. And laundry from yesterday that has to come out of the dryer, including my three wrinkled Ronnie Shirts.
I will not be fielding questions/requests/comments from Barbara in Accounting, just when Steven Colbert takes the stage. These days, my meeting with the Sandman is more often at 10 o'clock. Good night, I'll talk to you in the morning.
3. The work has to be right. Not to get all Alan Smithee on you here, but I'm not interested in mediocre. I don't want to put my name on anything I can't be proud of. It's not that my standards are so high, this blog with its countless typos, ugly syntax and occasional banality, is proof of that.
It's not that I'm demanding the final cut. It's just that I'm unwilling to compromise. If I write a character in a spot to be angry, he or she is going to be angry. Likewise, if I put the word panoply or myriad in a headline, it stays in the headline.
This list is already long in the tooth and could get longer. But it doesn't need to because with this post, it's clear I have sufficiently warded off any future freelance gigs.
And that's fine. I still have to get on the Peloton. And there are towels to be folded.








